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You might think that you’re dealing with an episodic adventure series which constantly reuses the who-can-pull-out-his-gun-faster plot device, but no, be warned, it’s not like that. In Trigun, there’s this unspoken rule that what you see is never, ever what you get, and it keeps the entire story doused in a very healthy coating of mystery and suspense. Trigun’s opening episode is one of the most well-written openings I have come across, and while the writing for the rest of the series isn’t as consistently good as this, it at least sets the stage for a recurring trope that occurs throughout the plot – the element of subversion. You can come back later and read the rest of this ‘review’. And with that, here’s the second chance for you to close this window and watch the first episode with all immediacy. However, they’re not the only ones hot on his trail, for the widespread poverty and corruption that inflicts villages across the desert, mean that there are others on the hunt for the bounty on Vash’s head. Implicated in all this chaos is the Bernadelli Insurance Society, which sends two of its staff, Meryl Stryfe and Milly Thompson, to track down Vash and to ensure that he ceases causing the damage that is crippling their company. Entire villages are paranoid at the very mention of his name, and for good reason too, as the legendary outlaw leaves a trail of blazing destruction in his wake. 45 calibre revolver in his pocket and a $$60 billion bounty on his head. So Trigun tells the story of a reputably destructive and outlawed gunman called Vash the Stampede, who roams the barren wastelands with a.
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Still not convinced? Okay then, maybe a sprinkle of spoilers may be necessary. Watch it, and even when you feel like giving up, push yourself past episode 7, and if you’re the least bit intrigued by this point, then push yourself past episode 9, and if you get to episode 17 then you’re probably set to finish the rest of the story on a good note. At this point, I’m going to gently tell you that the way to get the best out of this show, is to know that it’s a story about cowboys having showdowns in the wastelands, and just watch it. I didn’t expect it to be, but it’s always nice when you’re proven wrong.
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But hey, there are people today who still dare to say things like, “Meh, Death Note versus Code Geass? Has anyone actually seen Legend of the Galactic Heroes?” And that should tell us a little something that there are shows which are so good for what they are, that to gloss over them in favour of better visuals would be nothing less than pure travesty. Back in the day, art styles were different, animation was tightly budgeted and unpolished, so it’s a jarring contrast when juxtaposed against the shine and sparkle of anime that come out today, and it’s hard not to cringe when one’s first impression of an anime is its aged feel and look. So you’ll see people shunning RWBY, Ping Pong the Animation, even Flowers of Evil, but let’s put those titles aside for a minute and focus our attention on anime that aired before 2000. I’ve met otaku who are pretty picky about the choice of anime that land on their must-watch list, and surprise, surprise, there are people who refuse to watch mecha, people who refuse to watch slice-of-life, and there are people who refuse to watch anything which doesn’t look like anime as they know it.